Happy Back-to-School with the #JudyBlumeProject!  This started with a special surprise, even to my partner, Dana @thekitchwitch, of a four-part series that began last Monday with installment one, and continued last Thursday with installment two.  Monday's post represented installment three, and today marks our final installment with part four!  It has been delightful to see this story evolve and grow, and I hope you've been reading it with your upper elementary and middle graders.

I am thrilled to present this amazing guest post in four parts by author, Jim Denney, of the Timebenders series.  I became friends with Jim on Twitter, my son has read (LOVED!) the first book in his series, Battle Before Time, and Jim thinks the world of Judy Blume, and our little #JudyBlumeProject (GAH!).  As a MG author himself, he thinks so much of Judy Blume, that among his many projects, he took time out to write and share this riveting story, Martian Girl, with US!  GRATEFUL!

I'm certain you'll enjoy this ode to seemingly everyone's favorite, Judy's Margaret.  Check out our Facebook page, we now have a PROJECT PAGE, and you'll see that nearly every post to date includes AYTGIMM among the most meaningful and life-affirming of Judy Blume's prolific works for generations of tween girls during the angst-ridden onset of puberty.  And rightly so.  I hope this shows that any manner of respect you'd like to pay to Judy will be considered, and I hope this will inspire more men (young or young at heart) to contribute their thoughts and memories to our wonderful little project that one day hopes to be published as an anthology to honor our Judy.  

Without further ado, I'm thrilled to present...drum roll....

        Something's wrong, God.

        I woke up and heard alarms going off. I don't know what's happening, but Dad left our cabin to find out. I'm huddled under my covers, talking to you on my Amulet. I wish they'd turn off those horrible alarms.

        All kinds of thoughts go through my head. Is there a fire? Did something go wrong with the Ares? Are we losing power? Are we leaking air? Are we going to die here in space?

        Wait--

        Dad just came in.

        I'll see what he found out.

                                                                                    #

        Oh no.  Oh no.

        Please, God, no.

        Don't let it be--

        Dad came back and said that something happened to one of the passenger sections. He called it "explosive decompression." A whole passenger section just split open and all the air blew out. It might have been a meteor strike. Or maybe the hull just failed. They think everybody inside was killed—two hundred people.

        Mom said, "Oh, how awful!"

        I asked Dad what settlement the people were going to.

        He said, "Why do you ask?"

        "I just want to know."

        He said, "They were going to the Pacifica settlement. What's wrong? What are you crying about? You didn't know any of those people."

        I said, "I'm going to the library." And I ran out.

        Oh no, oh no, oh God, please don't let it be Salvino.

        The whole time I was running to the library, I tried to call him on my Amulet. He didn't answer.

        Now I'm sitting here in the library all by myself.

        Please, God, let Salvino walk through that door. Please, let me see him again.

        Please, God, let him be okay.

        Please, please, please.

                                                                                #

        I don't know what to say, God.

        I don't know what to think.

        I don't know what to feel.

        I made one friend on this trip, and now he's gone.

        His name is on the list of the "missing." It's been two waking periods and a sleep period, and he hasn't called me. I know he's not "missing," God. I know he's gone.

        I keep looking at the picture of him, the one I took after I hugged him. I look at his grin and his dark, smiling eyes. I want him to be alive again. I want to read to him again, and I want him to read to me.

        Why did you let it happen, God?

        I believed in you.

                                                                                #

        Hello, God.

        I'm sorry, but I've decided I don't believe in you anymore.

        Here's the thing: If I believe in you, then I have to be mad at you for letting Salvino die. I'd rather not believe in you than be mad at you.

        Dad's right. I have to quit talking to you. I'll miss talking to you, God, but I just can't do this anymore. I thought you were my friend, but you let me down. And you let Salvino down, because he believed in you, too.

        Please don't think I'm mad at you, God. Really, I'm not mad. I'm just very disappointed. So I've decided you don't exist.

        If I'm wrong and you really do exist, I hope you won't be mad at me. Try to understand it from my point of view. Try to understand how much it hurts when someone you really, really care about dies.

        I have to go now.

        Goodbye, God.

                                                                                  #

        Hello, God, it's me, Zandria. Remember me?

        I wouldn't blame you if you forgot who I am. It's been a long time since I talked to you. More than a hundred days, I think. And last time I talked to you, I said goodbye forever. And I meant it.

        But I've been wondering about something. I keep thinking about what Salvino's mother told him before she died: "A soul that loves God is never lost."

        I want to believe it, but I'm not sure if it's true or not.

        I wish I could feel your voice in my heart, the way Salvino felt his mother's voice. Sometimes, I think maybe I do, but I'm not sure. Sometimes I think I feel a voice that tells me everything is going to be okay. Is that your voice?

        Is it true, God, that a soul that loves you is never lost? If it's true, God, could you help me to feel it? Could you help me know it?

                                                                                    #


        Hello, God. It's me, Zandria—the loneliest girl in the universe.

        It's been a week since I talked to you last. I haven't felt like talking to you.

        Some days I'm mad at you. Some days I'm sad because I miss Salvino. I never have days where I'm just normal and happy. Mad, sad, mad, sad—ugh! I'm sick of those feelings!

        We're getting close to Mars, God. Dad says the next two weeks will be very busy. We have to go through some sort of training for when they drop us down to the surface. I may not have much time to talk to you until we're down on Mars.

        If anything goes wrong, and I die on the way down, would you do me a favor? Would you please take care of my soul? Would you let me see Salvino again? There's a lot I never got to say to him.

        One more thing, God--

        I mostly believe in you again, if that helps any.


                                                                                      #

        Well, God, I made it to Mars.

        That's right, it's me, Zandria—Martian girl. I'm talking to you from a tunnel deep under the surface of the Red Planet.

        The trip down from orbit was even scarier than they said it would be. It was noisy and the landing capsule seemed like it would shake itself to pieces and burn up. I really thought I was going to die this time.

        We landed hard, but we all survived.

        Mom and Dad and I are in the Utopia settlement. Everything's crowded and cramped compared to Earth, but very roomy compared to our tiny cabin on the Ares.

        I have chores to do, helping take care of the hydroponics garden. And I have schoolwork to keep me busy.

        This is my home now. I'm a Martian, just like Salvino said.

        Oh, no. I'm starting to cry again. Sorry. Just saying his name makes me miss him. I still don't know why you let him die, God, but I've decided that what his mom said is true: A soul that loves you is never lost.

        So I've decided to love you, even though at times it's not easy.

        Today, in the garden, I was humming that song Salvino taught me. It helps me feel close to him--

        The water is wide, I can't cross over.
        And neither have I wings to fly.
        Give me a boat that can carry two,
        And both shall row, my love and I.

        Well, that's all for now, God. Talk to you soon.

        Love, Zandria.

__________________________     The End ... or is it ... just the beginning ...?   ____________________________

Happy Back-to-School with the #JudyBlumeProject!  This started with a special surprise, even to my partner, Dana @thekitchwitch, of a four-part series that began last Monday with installment one, and continued last Thursday with installment two.  Today's post is installment three, and I will post our final installment four on Thursday.

I am thrilled to present this amazing guest post in four parts by author, Jim Denney, of the Timebenders series.  I became friends with Jim on Twitter, my son has read (LOVED!) the first book in his series, Battle Before Time, and Jim thinks the world of Judy Blume, and our little #JudyBlumeProject (GAH!).  As a MG author himself, he thinks so much of Judy Blume, that among his many projects, he took time out to write and share this riveting story, Martian Girl, with US!  GRATEFUL!

I'm certain you'll enjoy this ode to seemingly everyone's favorite, Judy's Margaret.  Check out our Facebook page, we now have a PROJECT PAGE, and you'll see that nearly every post to date includes AYTGIMM among the most meaningful and life-affirming of Judy Blume's prolific works for generations of tween girls during the angst-ridden onset of puberty.  And rightly so.  I hope this shows that any manner of respect you'd like to pay to Judy will be considered, and I hope this will inspire more men (young or young at heart) to contribute their thoughts and memories to our wonderful little project that one day hopes to be published as an anthology to honor our Judy.  

Without further ado, I'm thrilled to present...drum roll....

        He came into the library again, God.

        I was all by myself, reading Are You There God? It's Me, Margaret, and I was right at the embarrassing part near the end, where Margaret and her friend were in the drugstore, buying some . . . well, you know. That's when the door opened and he walked in—long black hair and dark eyes and chocolate skin.

        Well, I had already decided what I'd do if I saw him again. I sat up, looked him in the eye, and said, "Hi, my name is Zandria. What's yours?"

        He mumbled something and sat down on the couch farthest from mine.

        I said, "I'm sorry, I didn't hear that. What was your name again?"

        "Salvino. My name is Salvino."

        He didn't even look at me when he said it. He just started tapping on the keypad.

        I said, "Well, that's just rude."

        He looked at me with his mouth open. "Huh?"

        So I mocked him. "Huh?"

        "Are you mocking me?" he said.

        "Are you mocking me?" I said.

        "What are you so mad at?"

        "You."

        "What did I do?"

        "You were rude."

        "I wasn't rude. I told you my name, didn't I?"

        "You mumbled and didn't look at me. That's very rude, in case you didn't know."

        "I didn't mean to be rude."

        "Well you were."

        "Well, I didn't mean to be."

        "Well, you were anyway."

        "Well, I'm sorry."

        "Well, okay. Since you're sorry, I guess we can be friends."

        I think that surprised him. He blinked a couple of times, then he said, "You want to be friends with me?"

        "I do if you do."

        He shrugged. "Okay. I guess I do. What did you say your name was?"

        Boys are so dumb! I just told him my name. Wasn't he listening?

        I said, "Zandria. My name is Zandria."

        "That's a weird name."

        "It's no weirder than Salvino. I was named after a library."

        "There's a library named Zandria?"

        "My name is short for Alexandria. A long time ago, there was a famous library in Alexandria, Egypt. It had scrolls of knowledge from all around the world. But the library burned down, and all the knowledge was lost."

        "I guess you come to the library because you were named after one."

        "No, I come to the library because I like books. You like the library, don't you?"

        "Sure."

        "How come I hardly ever saw you before?"

        He shrugged. "I used to come during period three—that was my first waking period before they changed our schedule."

        "Oh, that makes sense," I said. "Period three is our sleep period."

        "Now our section sleeps during third period. So I guess I'll see you every day."

        "I guess so," I said. "What book are you reading?"

        "The Gods of Mars by Edgar Rice Burroughs."

        "I've never heard of it. It's about Mars, huh?"

        "Not the real Mars. When he wrote it, nobody knew what Mars is really like."

        "Read some to me."

        "Okay."

        He read a chapter to me. It's about an Earthman named John Carter who goes to Mars and rescues a Martian slave-girl named Thuvia. I didn't think I would like it, but I did. It was . . . romantic.

        Salvino stopped at the end of the chapter and said, "What are you reading?"

        "It's called Are You There God? It's Me, Margaret."

        "Read some to me."

        I felt my face turn hot. I was at the most embarrassing part of the book! How could I read it out loud? And to a boy? But I couldn't very well say no. So I read him the part where Margaret and her friend are in the drugstore buying . . . well, you know. 

        I read the whole chapter. Then I held my breath, hoping Salvino wouldn't ask any embarrassing questions. He didn't. He just sat and thought about it.

        Then he said, "I like The Gods of Mars better."

        "That's because you're a boy."

        "I guess so. I'm tired of reading. You want to talk?"

        "Okay."

        "Where are you from?"

        "San Pedro, California. Where are you from?"

        "Cebu City."

        "Where is that?"

        He shrugged. "It really doesn't matter where Cebu City is. Or San Pedro. Those places are millions of miles away, and we're never going back. From now on, we're going to be Martians. If anyone asks where we're from, we should say, 'We're from Mars.'"

        I said, "I never thought of it that way, but it's true. We're going to be Martians."

        "We're not going to be Martians. We are Martians. The moment we left Earth, we left the old life behind. We have to think like Martians."

        "What do you mean, 'think like Martians'? Are you saying I should stop reading books by Judy Blume and only read books about Mars?"

        "No," he said. "We'll need the old Earth books until we start writing new books—Martian books. I'm going to be a writer someday. I'll be the first Martian author."

        My Amulet chirped. I looked and read a text from Mom. Time for dinner.

        "I've got to go, Salvino," I said. "I'm glad we're friends."

        "Yeah. Me, too."

        "Meet me here tomorrow?"

        "Okay."

        So now I have a friend, God. His name is Salvino and he likes books. He even wants to write books. How cool is that?

        Was it your idea for Salvino and me to meet? If it was, thanks.

                                                                               #

        Hello, God. It's me, Zandria—and I'm not so lonely anymore.

        Salvino and I spent the whole day in the library. He sat on the reading couch next to mine.

        We each read our own books silently for a while. He read The Warlord of Mars and I read Starring Sally J. Freedman as Herself. Even when we weren't talking, I liked having a friend to share the quiet with.

        It's funny. When Salvino was a stranger, it felt weird and awkward being in the same room with him and not talking. Now that we're friends, we can be together and not say a word and it's really nice.

        After a while, Salvino asked if we could read a book together.

        I said, "How would we do that?"

        "You read a few pages to me, then I read a few pages to you."

        "Okay."

        I let Salvino pick the book. He wanted to read The Martian Chronicles by Ray Bradbury. I didn't think I'd like it, but it's really good. The Mars in that book is a strange world with ghost towns made of crystal and a dying race of Martians who sail ships across the sand. It's beautiful and sad. I wish the Mars we're going to was like that. We read almost half the book together before it was time for dinner.

        I haven't told Mom and Dad about Salvino. But Mom is curious. She keeps asking, "Why are you spending so much time at the library?" And, "Who are you talking to on your Amulet all the time?"

        It's not that I'm hiding anything. I just don't want Mom to get the wrong idea about Salvino. I don't want her to think he's my--

        Oops, sorry, God. Have to go. My Amulet's chirping. It's Salvino.

                                                                                  #

        Hello, God. Yep, me again—Zandria.

        In the library today, I asked Salvino about his family. He said, "It's just me and my dad." Then he was quiet.

        What do you say to something like that? I wanted to ask, What happened to your mom? Did she run off and leave you? Did she die? But that would be rude. So I just waited and didn't say anything.

        After a while, he said, "My mother died."

        I said, "Oh."

        I felt awkward, like I should have said more.

        Finally, I said, "I'm sorry about your mom."

        "Thanks."

        "It hurts a lot, doesn't it?"

        "Yeah."

        I said, "Do you believe in God?"

        "Yeah."

        "Do you ever wonder—" I stopped. Maybe I shouldn't ask.

        He said, "Do I ever wonder what?"

        "Do you ever wonder why God let your mom die?"

        He was quiet for a long time.

        "Yeah, I wondered," he said. "But before she died, she told me to always believe in God. She said, 'I'll see you again. A soul that loves God is never lost.' Sometimes I still hear her saying that."

        "You hear your mother talking to you in a voice?"

        "No. It's more of a feeling." He tapped his chest. "I feel her talking to me in here." His eyes were wet.

        I said, "Do you want to read some more?"

        He said, "Yeah."

        So we read to each other.

        I've been thinking about what Salvino's mother told him—"A soul that loves God is never lost."

        Is that true, God?

                                                                              #

        Hello, God. It's me, Zandria—remember me?

        I'm sorry it's been such a long time since I talked to you. How long has it been? Weeks, probably. I lose track of time because we don't have days and weeks in space, just waking periods and sleeping periods.

        I've been spending a lot of waking periods in the library with Salvino. When he and I aren't in the library, we like to call or text each other on our Amulets.

        Don't get the wrong idea, God. It's not that I have a crush on Salvino. I don't. And he doesn't have a crush on me. We're just friends, and we're going to keep it that way. We even talked about it. I told Salvino that I'm not ready to have a crush on a boy.

        Besides, when we get to Mars, he'll be living in the Pacifica settlement in Tharsus, and I'll be in the Utopia settlement, half a planet away. Once we leave the Ares, Salvino and I will probably never see each other again. It's sad. I try not to think about it.

        We read to each other again today. Then Salvino came over to my couch and sat next to me and taught me a song. It goes like this:

        The water is wide, I can't cross over.

        And neither have I wings to fly.

        Give me a boat that can carry two,

        And both shall row, my love and I.

        While he sang me that song, I imagined a wide ocean of empty space between the planets. I imagined that the library was our little boat that we were rowing to Mars.

        I said, "That's a beautiful song. Where did you learn it?"

        He said, "From my mother. She told me it's an old, old song. There are other verses, but I only remember the first verse."

        Then he touched my hand.

        I moved my hand away and pretended I didn't notice.

        He stood up and acted like nothing happened. He said, "Well, I probably ought to be going."

        I stood up and said, "Yeah, me too."

        He started to walk to the door, but I said his name and he looked at me. And I gave him a hug. He grinned—a big, wide grin that lit up his whole face.

        Without thinking, I picked up the Amulet that hung from my neck and pointed it at Salvino and snapped his picture.

        I think he was kind of embarrassed. He shook his head and grinned again. Then he walked out.

        It's a good picture. In the Amulet's 3-D display, he looks so real, I could reach out and hug him all over again.

        I have to admit, God, I felt tingly inside when he touched my hand.

        I'm glad I decided not to have a crush on Salvino, or I'd be a real mess right now.

                                                                                  #

To be concluded on Thursday in "Part Four: Mad, Sad, Mad, Sad"

Happy Back-to-School with the #JudyBlumeProject!  I have a very special surprise, even to my partner, Dana @thekitchwitch, with a four-part series that begins today with installment one.  On Thursday, I will post installment two, with installments three and four posting next week, again on Monday and Thursday.

I am thrilled to present this amazing guest post in four parts by author, Jim Denney, of the Timebenders series.  I became friends with Jim on Twitter, my son has read (LOVED!) the first book in his series, Battle Before Time, and Jim thinks the world of Judy Blume, and our little #JudyBlumeProject (GAH!).  As a MG author himself, he thinks so much of Judy Blume, that among his many projects, he took time out to write and share this riveting story, Martian Girl, with US!  GRATEFUL!

I'm certain you'll enjoy this ode to seemingly everyone's favorite, Judy's Margaret.  Check out our Facebook page, we now have a PROJECT PAGE, and you'll see that nearly every post to date includes AYTGIMM among the most meaningful and life-affirming of Judy Blume's prolific works for generations of tween girls during the angst-ridden onset of puberty.  And rightly so.  I hope this shows that any manner of respect you'd like to pay to Judy will be considered, and I hope this will inspire more men (young or young at heart) to contribute their thoughts and memories to our wonderful little project that one day hopes to be published as an anthology to honor our Judy.  
 (Love ya, Dana!  Hope this brightens your back-to-school!  Read this to the Minxes--maybe it'll make them think twice about peeving off my momma-friend!  "Straight to Mars, I tell ya!")  JK, kinda.

Without further ado, I'm thrilled to present...drum roll....

        


        Tomorrow's my last day on Earth.

        My dad says, "Zandria, you always over-dramatize things." But I'm not over-dramatizing this. I'm leaving Earth tomorrow.

        So God, if you're out there somewhere, please do something. I don't want to go to Mars!

        I'm talking to you on my Amulet, God, because Mom told me I should pray every day and I should keep a diary. She said, "You always have your Amulet on a chain around your neck—you should use it to record your thoughts and feelings."

        But I have to be honest with you, God—I'm really not sure I believe in you. Mom wants me to talk to you every day, but Dad says you don't exist. So when I'm around Mom, I'm religious. When I'm around Dad, I don't mention your name. And when I'm by myself, I'm confused.

        I have to be careful that no one else is listening when I talk to you. So let's just keep this between you and me. I mean, if you're there.

        I'm really sad we're leaving San Pedro. I like it here. I like going to the beach. I like my friends. San Pedro may be old and dirty, but it's my home. I'm thirteen years old, and I've never been farther away from home than the Santa Monica Pier.

        Dad always promised that someday, when he had enough money saved up, we'd go to Disneyland. But he never saved up the money, and now I'll never get to go. And I'll never get to see Yosemite or the Grand Canyon or New York either.

        Why do we have to move to Mars? Horrible, cold, dreary Mars! I have to stop thinking about it or I'll cry.

        They won't let us take many of our belongings, so we held a big yard sale and sold almost everything we own. I had to sell all my dresses. Mom said they don't wear dresses on Mars. Everybody wears baggy white jumpsuits. Yuck.

        The few things we still own are loaded on the rented van in our driveway. We have to sleep on the bare floors of our poor little empty house tonight. It's so sad!

        Early tomorrow morning, we'll drive to the Spaceport and take off for Mars. Even though I hate leaving San Pedro, I don't blame Dad. It's not his fault he lost his job at the factory.

        Stupid bad economy! Dad says there are too many people, not enough jobs, and not enough money to go around. I don't know why the government doesn't just print more money and give it to us. I mean, doesn't that make sense, God? But no! The government can't help my dad have a job here on Earth, but it can pay us to move to Mars!

        I think the government is stupid.

        I don't know very much about Mars, God, but it must be a really awful place if the government has to pay people to move there. Dad says it won't be so bad. I asked him if I'll get to ride a bicycle or take walks on Mars. He said no, it's too cold outside and there's no air pressure, and my blood would boil, then turn to ice. I'll have to live in a tunnel under the ground for the rest of my life!

        See? It's going to be just awful.

        Mom cries all the time over nothing at all. Today I tried to help her feel better about moving away. I said, "Well, at least I won't miss the hole in my bedroom wall where the rain water drips in."

        Mom burst out crying and said, "Oh, we never fixed that leak! Our poor little house! We'll never see it again."

        Really, who cries about a stupid little leak in the wall?

        But it makes me sad to leave our house. It's tiny and kind of run-down, but it's the only house I've ever lived in. It sits on top of the hill, and I can see the ocean from my bedroom window.

        When I was packing my things this morning, I heard Mom and Dad talking real quiet in the next room. I know it's wrong to eavesdrop, but I stopped packing and I went to the door and listened.

        Mom said, "Jasen, I'm so scared. I can't help it. I keep picturing our transport blowing up in mid-air. We'll all die—just like those two hundred people on the Aurora."

        Dad said, "Hannah, the Aurora was an old ship—one of those rusty converted freighters. I booked us on a brand-new passenger ship, the Nebula—safest ship in the fleet. Nothing's going to happen to us."

        "I know it's silly to worry, but I can't help—wait! Listen!"

        "Listen to what? I don't hear anything?"

        "I know. It's too quiet. You don't think Zandria overheard—"

        "How could she hear us whispering from the next room?"

        Well, whispers really do echo in an empty house. I heard every word they said. But I didn't want Mom and Dad to catch me listening, so I crept away from the doorway and pretended I'd been working the whole time.

        Dad poked his head through the doorway and said, "How's it coming, Zan?"

        I said, "Fine," and kept packing.

        Do you think the transport might blow up, God? I don't think so. I think Mom worries too much. But that's what moms do. Dad says the Nebula is a safe ship, so I'm not worried. I just wish we didn't have to go to Mars.

        So, God, if you're out there, if there's anything you can do, could you fix it so we don't have to go? I guess I'm asking for a miracle. Do you still do miracles?

        I don't want to tell you how to do your job, but here's an idea: Maybe the factory where Dad worked could call him and offer to give him his job back. Then we wouldn't have to go.

        If you have a better idea, God, that's fine with me. But you'd better hurry up because there isn't much time. We're leaving tomorrow morning.

                                                                                   #

        Hello, God. It's me, Zandria, again.

        I guess you couldn't make a miracle happen, because here we are at the Spaceport, getting ready to go to Mars.  

        It was awful leaving our little house for the last time. Mom cried, I cried, and Dad kept muttering and swearing. Mom bawled all the way to the Spaceport. After about half an hour, Dad yelled at her, "Hannah, just stop this! There's no sense crying. We have to go to Mars and that's all there is to it."

        Mom stopped crying, and she looked at Dad—and then she said the worst word I've ever heard my mother say. I didn't even know she knew that word. She hardly ever says anything bad—but oh, what she said! Then she put her hand over her mouth—and started bawling all over again.

        When we arrived at the Spaceport, we saw two transport ships on the launch ramps. One was the shiny new Nebula, the transport we have tickets for. The other is an ugly old ship with black re-entry burns all over the hull. It was so scorched and grimy, I could hardly make out the name of the ship: Titan.

        "I'm sure glad we're booked on the Nebula," Dad said. "I pity the people who have to fly in that other hunk of junk."

        So we went into the Spaceport and that's where we are right now. It's super crowded and super noisy. There are zillions of people all around, and they're all going to Mars with us. I can look out through the big windows and see the Spaceport crews unloading the crates from our van and putting them into the belly of the transport. Problem is, they're loading our stuff into the wrong transport. They're loading it aboard the Titan.

        For ten minutes, Dad's been at the Mars-Line Company desk, yelling and pounding his fist. The Mars-Line people keep telling him to calm down or they'll call Security. But they don't know my dad!

        He waved our tickets around and said, "These tickets say we have a reserved cabin aboard the Transport Nebula!"

        The man at the desk just smiled and said, "I'm sorry sir, but we had to switch you and your family to the Titan." He pointed to the burned-out old freight-hauler on the launch ramp.  

        "The Titan?" Dad shouted. "You ought to call that thing the Titanic! It's a disaster waiting to happen! We're not getting aboard that death-trap. It's even older and more broken-down than that transport that exploded last week—the Aurora."

        The man stopped smiling when Dad mentioned the Aurora. "Please lower your voice, sir," he said—and he didn't sound polite anymore. "If you'll look closely at your ticket, you'll see that the company reserves the right to substitute a different transport. I assure you, sir, that the Titan is every bit as safe and spaceworthy as the Nebula."

        Well, the man was obviously lying. The Nebula was shiny and new. The Titan was burned up, patched up, and ready to fall apart if anyone sneezed at it. And when I heard Dad call it a "death-trap," I got scared.

        Mom's sitting next to me, crying and moaning, "I knew it. We're going to blow up in a big fireball, just like the Aurora." Is she right, God? What if that old transport really does blow up—with us on it? 

        Dad's still arguing with the man at the desk. He just said, "I demand you put my family on the Nebula, just like the ticket says. If you don't, I'll sue this company for fraud!"

        "Sir," the man said, "please read the fine print on the back of your ticket. The Company reserves the right to make substitutions."

        They're arguing and Dad is swearing--

        Uh-oh. Here come the Security officers. They're talking to Dad and making him sit down and be quiet.

        It looks like we'll be leaving on the Titan. Or the Titanic, as Dad calls it. So we're going to Mars—if we don't blow up first.

        I was really counting on you for a miracle, God. I was hoping you'd think of something. But we're going to Mars on the Titanic. I hope you won't get mad at me for saying this, God, but I'm kind of disappointed in you.

                                                                                      #

        Well, God, this is just about the worst day of my life.

        They put us on a tram and took us out to the Titan. The closer we got, the more we could see all the dents and pits and patches in the hull.

        The tram pulled up at the boarding ramp, and we got off. Dad looked the Transport Titan up and down and said, "They should have junked this relic years ago."

        That set Mom off again. "We're going to die," she said. "I just know it."

        A man in uniform by the boarding ramp said, "Have a pleasant voyage."

        Dad called him a nasty name.

        We went up the boarding ramp and found our section.

        The inside of the ship is even more run-down than the outside. The seats are patched and stained. The floors are sticky. There's a funny smell.

        Dad said, "This ship is a garbage scow!"

        Mom turned around and tried to get off, but the flight attendants made us all sit down. Then they strapped us into our acceleration couches. One of the flight attendants stuck a patch on Mom's arm when she wasn't looking. In two seconds, Mom went to sleep with a smile on her face.

        Now we're getting ready for launch. I can talk to you on my Amulet because Mom's asleep and Dad's on the other side of Mom—he can't hear what I'm saying.

        They're counting down for the launch right now. Thirty seconds to go.

        Please, God, don't let us blow up like the Aurora.  

        Twenty seconds.

        I wish they'd put one of those patches on my arm. If we're going to blow up, I'd rather be sleeping like Mom when it happens.

        Ten seconds.

        Dad just leaned forward and gave me a wink, as if to say, Everything's going to be okay. I hope he's right. God, please let him be right.

        Oh! It's happening. The engine noise is so loud! It's like an explosion that goes on and on. Everything's shaking. My teeth are rattling.

        We're moving. The ship is climbing the ramp. I wish there were windows so I could see the world going by.

        I think we just shot off the end of the launch ramp. It feels like we're shooting up into the sky.

        Why is the transport shaking so much? Is that normal?

        Oh! Did you hear that loud bang, God? Something must be wrong.

        The whole ship is making horrible groaning noises. Is it coming apart? People are screaming all around me.

        Oh! There it goes again—a horrible bang! What was that noise? Did something break off the ship?

        What are those popping sounds?

        There's another bang! Oh, God, please hold our ship together. Don't let it blow up or fall apart.

        Look at Mom, will you? Still asleep!

        Oh, my stomach! The whole ship lurched.

        All around me, people are crying.

        I looked at Dad to see if he's scared, but he won't look back. He's staring straight ahead and his hands are gripping the armrests so hard his knuckles are white.

        God, when will it end? I'm so scared. When will it--

                                                                                       #

To be continued on Thursday in "Part Two: A Terrible Distraction"

My e-mail icon is at the tippy top of this page.

Dear Judy,

In Grade 4, I was Sheila the Great.

I’m not kidding.

Despite my fuzzy hair and brown skin, I was convinced you had me in mind when you wrote the novel.

I was also Margaret and Tony and Peter.

I started a newspaper at my school in grade 4 because of your books.  I dreamed of being a writer because of your books.

And because at first I wasn’t sure how to do that, some of my earliest writings are letters to my grandmother that were copied almost verbatim from various pages of your novels.

Yes, I plagiarized you at the age of 10.

I apologize.

But I’m not sorry because those letters were never sent and 30 years later, my mother delivered them to me along with a host of other childhood silliness and the joy and tears that resulted from reading my words – your words- are worth any sanctions you may have to take.

What you gave me was a gift; an outlet.

I was a first generation Canadian kid with Jamaican parents trying to find my way through the school system. I didn’t understand cliques or bras. I didn’t know what questions to ask until you came along.

You gave me a guideline to being normally abnormal that has guided the rest of my life.

When my mother bought me “Letters to Judy: What your kids wish they could tell you.” I was insanely jealous of the fact that these kids had written to you and that you were responding.

I was far too in awe to have thought of sending my thoughts as well.

So now that I have the chance here’s what I’d like to thank you for:

Are you There God It’s me Margaret : It led to an awkward conversation between a father and daughter when I snuck up behind him to ask what a “period” was and “how I could get one.”  Good times.

Forever: The sneaky way you didn’t announce that this book wasn’t like the others, allowing me a full fifteen minutes of jaw-on-the-ground reading heaven before my mother came bounding up the stairs after getting a tip off from another parent. I’d also like to thank my mom for always hiding the “not until you’re older” book  in the same spot allowing me to continue my reading on the sly.

Tales of a Fourth Grade Nothing:  For giving me insight into the world of a boy, giving me something great I can share with my sons so they can get to know you too and siding with me in the acknowledgment that baby brothers were put on this earth to test your sanity.

Thank you for Iggie’s House that had a character that looked like me, and for Otherwise Known as Sheila the Great, Blubber, Then Again Maybe I won’t, Tiger Eyes and all the others that kept me up way past my bedtime, flashlight in hand.

All those years ago when I thought there was no one who understood me, you popped in with characters that have stayed with me my entire life.

I’m so glad to have the chance to finally write the letter I couldn’t all those years ago.

Your pal,

Heather

aka Sheila the Great


Heather Greenwood Davis is an award-winning feature writer with more than 20 years of journalism experience.  Her stories have appeared in numerous publications including most recently the June issue of "O" The Oprah Winfrey Magazine.  A yearlong trip around the world last year with her husband and two sons (ages 6 and 8) led to the family being named National Geographic Traveler Magazine "Travelers of the Year."  Stories of their travels and lessons learned also appear online at www.globetrottingmama.com.

Heather thanked US for the chance to purge her soul, but we couldn't be more grateful to her for sharing her memories of growing up with Judy Blume.  I couldn't be more grateful that she permitted me to share it with you as a guest post on my blog, and it ain't over, folks!  We welcome you to do the same or to participate via your own blog!  UPDATE:  Find out everything you need to know to participate ON THE #JudyBlumeProject PAGE!!

Copyright © 2013 Heather Greenwood Davis.  All rights reserved.  Reprinted with permission from the author.

Enjoy this moment in time #JudyBlumeProject piece by Denise DiFulco, writer/editor/author, at denisedifulco.com.


It’s the period book. Everyone calls it that. They never say its awkward, seven-word title. But also, that’s what it is: the period book. The one where the girl gets her period. And a bra.

I am 11 years old. I have neither my period, nor a bra. But I want to read the period book. Everyone is reading the period book. All they talk about is the period book. If I don’t read the period book, they certainly will talk about me.

Mom hasn’t yet pulled me into the basement, as she one day will, to talk about “it.” Not the just small “it”—the period “it”—but the big “it.” After a conversation where I declare I know what “it” is, she won’t say we need to talk about “it.” Instead she’ll tell me, “We need to talk about the birds and the bees.”

I know nothing about birds and bees and what they have to do with “it.” What I do know, I’ve learned from the other book. “The Book.” The one about the big “it.”

Finding “The Book,” the big “it” book, isn’t so easy. It’s not in the school library. It never would be in the school library. There are two copies at the public library.

This I know.

They sit atop a revolving rack—steps away from the librarian’s desk—some corner of their covers shorn away, spines bowed into an arch. On the front, a picture of a locket, suggesting the secrets within. I spin the rack, inspect the book about the fat girl, glance toward the desk. She’s looking down. Another turn. The locket reappears. A second check to be sure, only this time she smiles. I walk away.

Weeks pass and the girls at school are whispering and giggling in the halls. I, too, want to trade in whispers and giggles. I want to know what they know.

One day as I arrive at my fifth-grade desk, a friend shoves her hand into my knapsack. “Here,” she says. “Don’t tell anyone.”

I peer inside. It is “The Book.” The book about the big “it.”

The locket is half torn from the cover, but the contents are intact. I tuck it inside my desk to read the first page, then the second, then the third. Class has begun. I draw my loose-leaf binder over the lip of the table, the bottom edge of “The Book” resting on my thighs. The teacher is speaking, and the class learning something, I am sure. I am learning, too.

Next day I re-establish my cover: Binder pulled out, book beneath, resting on the edge of the tray. Its spine is so well-worn pages seem to unfold themselves. I am opening with them— following the words into another room—so when the teacher calls on me, I don’t answer. She walks around my desk, and as I realize this, I allow the binder to slip over my lap. She does not see.

Yes, I am learning.

Next time I’m more careful. I raise my hand. Answer questions. Look down thoughtfully. Continue my education.

By the time the bell rings, I, too, can whisper and giggle, trade in information so precious and rare no one dares speak its name. Somehow I am changed, though real change is far away. Many questions answered and so much yet to know. Like the noises. What are the noises?

I know they are important. There is no one to ask.

Denise DiFulco is a freelance writer and editor whose work has appeared in The New York Times, Washington Post, Ladies’ Home Journal, Martha Stewart Living and numerous print and online publications. She currently is working on her first novel—loosely based on family history—which chronicles the life of a Jewish man who leaves Nazi Germany and renounces his identity only to find he can’t escape his past. Denise is blogging about her fiction writing at her recently launched blog, Setting Anchor, Setting Sail: A Writer’s Journey.

I'm SO very grateful to Denise for allowing me to share her story here! 

Copyright © 2013 Denise DiFulco.  All rights reserved.  Reprinted with permission from the author.

You know you're tired when you scroll down to see how long a post is before you decide whether you'll read it.

You know you're tired when you can hear your eyes blink.

You know you're tired when you look in the mirror and see yourself yawn and it makes you yawn again.

You know you're tired when the dust bunnies are so big, the dog thinks they're new toys.

You know you're tired when you can still fall asleep immediately after your second cup of coffee.


You know you're tired when you fall asleep at your desk, sitting up, with your fingers poised over your keyboard.

You know you're tired when your eyes burn so bad, you can't read more than a paragraph without falling asleep.

You know you're tired when you find your keys in the fridge and the cheese in your purse.

You know you're tired when you can't retain a thought long enough to write a complete sentence, let alone a paragraph.

You know you're tired when the only thing you seem to be able to write is a ridiculous post about how tired you are.

Though Kristen Lamb, guru, incredible WANAMama to all things WANACon (online writers conference of her creation), says here that Being Tired Can Make You a Better Writer...I may have gone beyond that point, and am looking forward to a coaching conference in San Francisco this weekend to re-energize me and help to recharge my batteries. 

My point?  The Judy Blume Project is far too big for two moms from Colorado and Michigan to do justice to in a mere month (without child protective services being alerted, and husbands complaining loudly about there being no clean underwear), and Judy deserves SO much better than sleep-deprived zombies for partners.

Dana and I are delighted to report that we've gotten so much terrific feedback, we feel compelled to expand the project and extend the deadline.  We are STILL ACCEPTING SUBMISSIONS!! ...Maybe it even remains a living, breathing thing...who knows? 

So visit your local library.  Re-read your favorite Judy Blume books, enjoy the memories they spark, and let us know what a wonderful and necessary contribution she made to your pre-adolescent and adolescent survival. 

For many of us, Blume's characters and their life events allowed us to experience scary things without actually having to suffer the consequences.  She helped us to feel normal, to understand things we couldn't speak to our parents about, and to understand that we were perfectly acceptable amid a persistent fog of zit-infused angst and uncertainty.

You can review our submission guidelines here, as well as check out all the other fabulous pieces to date.  WE HOPE YOU'LL JOIN THEM.  Established or not, young or old, student or teacher, mother or daughter or father or son; all the above, or none of the above--this means YOU. Let us know you're getting to work on your Judy Blume Project Anthology submission, thanking and honoring the fine lady for her amazing contribution to MG/YA fiction. 

[UPDATE: !!NOW -- ACCEPTING SUBMISSIONS -- NOW!!]

Magic can materialize in a breath...you're going about your day, you happen upon something that might be remarkable, make an innocent comment and wheels start to turn on a regular old Tuesday, if you're open to it.

Magic is exactly what happened yesterday between The Kitchen Witch and I, when I linked my Beauty of a Woman post about The Beauty of Women Friends to the Extraordinary Ordinary's weekly Just Write exercise.  My moment, trying to write while waiting for my dear friend to come through her surgery to remove a cancerous breast, totally fit with the spirit of the exercise...write from the heart, "from a free heart-gut place," says Heather, and don't stop, Just Write.  So you post your moment, and others post their moments, you read each other's blogs, maybe laugh, maybe cry, but above all, you appreciate the craft of real writing that comes from the heart.  Soon you find it changes the way you write for the better.  You come to seek out moments to write about; beautiful moments, poignant moments, moments to appreciate, to savor or just to mark.

I was reading some of the other blogger's posts, and The Kitchen Witch's was about Judy Blume (please take a moment to pop over and read it), bemoaning the absence of new MG/YA fiction for her daughter's generation from Blume, and acknowledging how the author's works had impacted her own life.  She wondered where the next Judy Blume would come from, which clearly struck a nerve with several of the commenters.  So today, she writes:

What We Want to Say, March 6, 2013

Hi, you lovely, big-hearted Readers,

I was Gobsmacked at the volume of personal emails I recieved from you, telling me how much Judy Blume has meant to you, and how pivotal she has been to your (and so many of our) growing-up years. So often she’s been a steady, reassuring voice whispering in the dark.

A friend of mine, Kim and I were talking yesterday about Judy Blume, and we thought it would be so interesting and beautiful to hear the stories/memories/musings about Judy’s work and what it meant to you, as a young woman navigating that twisting and hard road between girl and womanhood.

Our ultimate goal is to compile an anthology in her honor, full of colorful, vibrant voices. A book chock-full of writing by women (or men!) who have heartfelt and honest things to say.

If you’d like to submit a piece for consideration, [PLEASE VISIT OUR #JudyBlumeProject WEBPAGE]. It [may one day] be a belated Valentine to our Judy, but one that is long overdue.

So, Dana and I started hashing it out.  She's taking it on through her channels, and I'm taking it on through my channels, and we're going to put our heads together, pick through the many inspiring and heart-felt submissions we're sure to get, and come up with something brilliant to honor Judy and her many inspiring works for young readers.

So dig in.  Dig deep.  Send in your submission by the end of [June], and maybe you could find yourself a published author (newly or again) in the near future!  We all have a story to tell, if Judy has inspired the landscape of your life in any way, maybe this is a beautiful place for you to begin telling yours. 

FIND EVERYTHING YOU NEED TO KNOW INCLUDING SUBMISSION GUIDELINES & CONTRIBUTORS RIGHT HERE!!!